Art Janitor Stories (New York): "Savan, The Cake-Thrower"

Painters should never date each other. They're incongruent, like an ice cube on the sun.

During my time at the auction house, I encountered many different types of relationships. Some brought me joy, some enlightenment, and some took me through an Alice Wonderland level of madness. The white rabbit in my story was an artist named Savan, whose love for painting and art drew us together despite the four stories of floors between us. She worked in the prints department and I would find any excuse I could just to visit her. But at some point...that wasn't enough, and so I managed to make my way into the lunch group that she ate in. It was there where I found myself jostling with the other lions trying to vie for her attention.

The broad-shouldered dock workers she had befriended positioned themselves like bodyguards around her, while the well-read-well-schooled hipsters tried to bait their hooks with pro-feminist statements like, "Well I think women shouldn't get paid equally, they should get paid more, to counteract the years of patriarchal domination they've endured - reparations if you will." Luckily she didn't fall for that, and while the rest of them tried to win her over with their wittiness and masculinity, I managed to get her attention with some good ol' fashioned toilet humor. Can you believe that? I think I sad something like, " Imagine if farts lingered like cigarettes, you couldn't go anywhere. If someone said let's go to grandpa's house, I'd say I can't, I just washed my hair". That's not even a good joke, but it worked. And let me tell ya, not even the feeling of summiting Everest could compare to that moment when you say something so juvenile and disgusting, and the person you desire responds with absolute guttural laughter.

Now, to be honest, I can't even remember when Savan and I first kissed, but I do remember laying in the sun at the Main Street Park under the Manhattan Bridge, lost in her eyes, and discussing our love for the artist Richard Diebenkorn and cake. Even though she was a salt of the earth St. Louis gal, she knew her art. She even exposed me to the Bay Area Figurative movement of the 1950's which became one of the most influential periods for me. We spent long nights talking painting, making love, eating ice cream, and discussing our work together; she even had her own crazy stories, like the time she brought Krispy Kreme donuts to her favorite painter Chuck Close's studio because she heard he loved them. He asks her to take off her clothes and she just stood there naked, gave her a once over, and then zoomed away in his wheelchair without a word. That jerk doesn't even paint nudes.

So how could this tale go wrong? Brilliant girl, with gorgeous eyes, who loves art, has a great sense of humor and was a sexual Jacques Cousteau in the bedroom. Well, I'll tell you how. For within all brilliant people lies a madness, a slow boiling demon that eventually percolates with time, explodes, and burns down everything around it. Our romance quickly descended into a back and forth of anger and fighting peppered with intense passion and insane choices. We were never on the same page and it only took us seconds to explode over an innocuous topic or to try and outdo each other. We pushed each other artistically, but the level of resentment took over, and if we weren't intimate, we were enemies. Like two neutron stars colliding, this relationship created a black hole whose gravity was not inhabitable, and so I ended it.

But a few months later, the gravity could not be escaped. She was determined to get me back. Random letters showed up on my desk. Those bright eyes I loved, were now wild, filled with fright, and unfamiliar. She moved into my neighborhood citing, "I just liked it is all, nothing to do with you." Requests to meet up for a physical rendezvous, "Just ride your bike over and we'll meet at Cobble Hill Park." Then, the emails started showing up, from an account created in my own name. I had to tell her to stop, that it was insane to create an email account in my name. She responded with, " You're such an egomaniac that I thought if you saw an email from yourself, maybe you'd respond." She was probably right, but nevertheless, it had to stop, and after that, it did.

Months went by I heard nothing from her. I began dating a new girl (another artist) who was older, more mature, and more European. One evening we were upstairs in my Cobble Hill apartment when she heard a very distinct sound at the window. At first, she ignored it, but then she said, " I think someone is throwing rocks at your window." I was like, " What? No...". I went over to investigate but the rocks had stopped and just when I started to look away, I saw it, the iconic ponytail bun of Savan bobbing up and down. I immediately thought, "Somebody gonna die tonight." Savan, with her farm-forged forearms and jealousy, would snap the neck of this poor polish girl. What to do? I had to stop her from coming up.

I went downstairs and opened the old brownstone door but kept the grated door locked to block her from entering. There Savan stood with a feral look in her eyes like a possum discovered in a kitchen cupboard. She had this potpourri of emotions on her face that I couldn't quite decipher. Anger, rage, happiness, sex, hunger, armegeddon, and sorrow, all fighting for air time on her face. " Hi René, how have you been....I thought...umm maybe..you know...your birthday....I thought.." She was carrying something in her arms that I couldn't quite see. "Please don't let it be a baby, please don't let it be a baby", I thought. As she got closer, the object became clear, it was a cake - my one weakness. "I just thought you know, you like cake, and I missed your birthday 6 months ago, and that maybe we can eat it together?" she said.

Now, I was in quite a quandary. Savan terrified me, like terrified me. Those blue eyes looked almost black now, and my survival instincts were tingling, like when a bear walks into a campsite. But.....I also really love cake. "No, not this time!" I said to myself. I tried to say it with confidence, "Savan, you're going to have to leave, I really can't do this now." She could smell my weakness, she knew something was up and I never ever turn down cake. "Who's up there?",she asked with that Nazi-like rhetorical questioning. I felt like agent Starling and she was Hannibal Lechter, " No one damn it, everything is fine, please just go, get out of my mind!". "You're lying to me," she said. That demon that had been slowly boiling from the moment we met was ready to be unleashed. Without hesitation, she threw a full sheet cake at the door and shook on the grated bars like a caged chimp thirsty for my blood. "I hate you. I hate you. I truuuuusted you!!" she screamed, ponytail falling apart, and her sanity with it. She burnt herself out, and as quickly as it began, it was over. She ran off.

Thank god for that grated door. Not only had it protected me from her, but it also cut up the cake rather nicely after she threw it. The sad caked laid on the floor and I thought how perfectly this encapsulated the experience of dating Savan. After a second or two of pondering, I picked up pieces of the cake from the floor and went upstairs to my polish girl. "Everything ok", she asked. "Yes", I said, "and look, I brought cake!".

Art Janitor Stories (New York): The Case of the Damaged Warhol

In the swirling toilet bowl that is the art world, the auction business is the head turd. The rest of the bits floating about are all the people who get sucked into the wake of its romance and necessity. There are the fragile Europeans whose hands have never touched soil, the fashionable gay men with their city-issued savoir faire, the entitled interns who were the offspring of NY's elite, the blue-collar workforce from the outer boroughs, and then....the worst of them all - the middle class art migrants; who left the comfort of the suburbs and it's wide open parking spaces for the privilege of following their dreams of being an artist in the big city.

That was me, and I was an Art Handler. The lowliest cog in the art world machine. Like Art Oompa Loompa's, we were meant to move in the periphery, shuffle art around, "guard" them from damage, and not be seen. With time, I wiggled my way into the Post/War Contemporary Department, arguably the most prestigious of the Art Handler caste system, and I had established enough clout with my fellow inmates to be cocksure and comfortable. But like Icarus, I flew too close to the sun, and It was in that pool of content and hubris that the story of the "Damaged Warhol" takes place.

I had received a call from up on high that an important Warhol was about to arrive today and only I could be there to receive it on the dock. " I don't want those guys touching that bloody piece, it is too valuable!" said the posh head of sale, Niles Tenpenny. - a pale and soft man. "Yes sir," I said. Making sure to write a note, set an alarm, and do everything in my power to be there when that piece came in. Of course, I forgot, and I was late to get there. The guys on the dock had already opened it, so I told them to quickly put it back in the crate and I will take it from here. I put it in the warehouse and made the call to the boss that the piece was in and secure.

You see....this was one of Warhol's rarest pieces, a four-sided silk screened canvas stretched over a wood frame and wrapped in cellophane by the man himself. I opened up the crate and pulled it out to check every square inch of it for damage, feeling in my head like Indiana Jones, rescuing the arch of the covenant from those dock savages. Niles called to say he would be down in a few minutes so I prepared the piece to be presented to him. I decided to put the piece back in the crate just in case he was worried it was too exposed. That was the wrong move. I forgot that I had left one of the crate brackets inside the crate and when I placed it back in...I heard the scariest sound one could hear in the art world -- the crisp tearing of canvas.

I was stuck. I could hear the pounding of his wing tips making their way towards my ignorance; every minute seemed like a second and I had to think quickly. What would I do? He came around the corner in a frenzy saying, " Where is it?". I took a deep breath and said, "I need to tell you something." I then felt my ethics, conscience, and morality (the holy trinity of humanity) leave my body, and I said, " I think the dock damaged the art." I couldn't believe that the words left my mouth. The instinct to protect myself was uninhibited. I quickly regretted it. His face went flush as it filled with rage and his eyes independently blinked like an owl. "Heads will roll. Follow me to the dock, I want to know who did it!" Jesus Christ..... this won't turn out well.

We went upstairs and he stormed into the security room declaring that he needed an immediate review of the cameras from the dock. The security staff went into a full investigative mode and I felt a tingling in my backside which was probably due to the fact I was about to crap my pants. They pulled up the tapes searching for the culprit that didn't exist and the anxiety was building and building. I couldn't take it, I was just going to admit it, " It was me! It was me god damn it!", I wanted to scream. But, just before I could, the most incredible thing happened. Niles shouted, " There it is! Roll the tape back".

Right before my lying eyes, the video showed a dock worker turning around and accidently kicking the dolly that the crate was sitting on, sending both flying off the dock in a violent manner and out of frame. Here it was, a gift from the universe, "I could easily walk away and no one would ever know", I thought. Then, a second thought came to me, "Maybe I'm the anti-christ, and this was the beginning of my reign on earth.". Niles was poised like a cobra and ready to spring on the neck of that poor soul; who was a nice guy, and yeah he would massacre the names of artists from time to time with his 1930's New York accent, " Hey kid, I got dat err-uhh Handy Hoeharl for yoos.", but he didn't deserve this.

I realized in the end that the only real savage on this dock was me, and I couldn't believe what I had become. This was one of the worst things I've ever done. Did the Big Apple turn me into a big a-hole, or was I just born that way? I fessed up and told the boss-man that I had damaged that piece because I only noticed the tear after I put it in the crate again. Niles was pissed, probably didn't talk to me for a month, but that was a small price to pay for a man's innocence. The Warhol was restored and went to auction and no one was the wiser. I couldn't help but think that ol' Handy Hoeharl only got it half right.........it was my 15 minutes......not of fame, but of infamy.

Art Janitor Stories - 21st CENTAUR-Y MAN (New York)

If you’re lucky in life, you will get the chance to meet one character that is unlike anyone you’ve ever met before, and the moment you meet them, you just know that you will never meet anyone like them again. For me, that meeting happened on the first day of a job as an Art Handler amongst the glamor and glitz of the auction world in New York. I was escorted down the subcellars of an institution almost as old as the paintings it held. Past the Basquiats and Warhols leaning against the walls waiting to be photographed, I saw the top of a shiny brown tombstone-shaped head. He was a hulking mass of a man; even sitting down, he was almost as tall as I was standing up, and his broad blue-collared shoulders belied the truth of this urban Nostradamus I would soon come to know.

In this story, we will call him Desmond, for the sake of anonymity and protection from the dark forces in this world that seek to destroy him. You see, Desmond was a conspiracy theorist, and the world was out to get him - but he was also so much more. I have described him as a Jamaican playboy that was part Morpheus from the Matrix, part George Washington Carver, with a dash of Bronx street hustler, a booming Shakespearean voice, teeth like bowling pins, and a face like a villainous genie. He once told me that he was going to take a Popeye's break because he couldn't quite solve the last bit of calculations for his time machine prototype. Yes, time machine, made in a bath tub......in the Bronx.

Now, there are many stories I will share about Desmond but this one centers around a particular portrait that I did of him. The auction house I was working for did an annual employee art show that showcased the many talents of the artists that worked for the company. They gave us one of the galleries for a few weeks and it was open to the public. This was my chance to do something great. Desmond took almost everything seriously in life, and those kind of people are the most fun to take the piss out of; especially someone who thinks the FBI is tapping his phone. I once picked up a phone at work and shouted to the white noise, "Desmond is going to kill the president!" He looked at me with the ferocity of an angry beehive, and said, "You have jeopardized my very existence, sir! I have to move my whole family now - you will never see me again." I saw him again. The next morning he was there at his desk eating a bacon, egg, and cheese sandwich.

I was getting excited about what I could possibly paint as an homage to this ridiculous genius. Then, I recalled something he said once: "Tell me René...have you ever stood naked at the edge of oblivion?". To which I replied,"Can we leave the urinals before I answer this Desmond?" That was it! Desmond standing naked at the edge of oblivion. But that wasn't enough....it needed something...something fantastical....something centaur. I rushed through the weekend to finish my modern day Mona Lisa, feverishly painting and imagining Desmond's Cheshire cat grin and maniacal laughter swirling in my head. I chose to paint it in the style of 70's fantasy artists like Boris. By dawn I was done, still wet, I brought it in and searched for a frame befitting its regalness. Now for the part I was unsure of, revealing it to Desmond. He was a vain conspiracy theorist, torn between getting off the grid and just getting off with women. He loved to groom himself and flirted with every woman in his vicinity, but he hated having his picture taken or his named used.

I tried to prepare him by saying, "Now I know you may get mad, but...". "Oh no, what now for Christ sake, what did you do now?!" he said. I turned the painting around and waited for it. Desmond bent down to one knee like Scrooge picking up Tiny Tim, his eyes widened, tears started to form, he looked at me then back at the painting, he even removed the Black & Mild cigarillo from his gaping mouth. "It....it....it is remarkable. You've captured my very essence. What is this witchcraft you hold in those hands? I declare this as the single greatest piece of art ever made!" he screamed. I had done it. I had won over the man who thought art was just a gateway

to homosexuality. Like Narcissus he could not look away from studying his own face, that's probably why he didn't notice the huge penis sheath that I painted under the horse for my own kicks and giggles. Didn't matter, Desmond was happy and I was ready to show the bourgeoisie of Manhattan, Desmond.

The last moment I remember of him and this painting was the night of the opening. He stood in front of it at a full A-frame position like Superman, proud, chin up and smiling. An elderly lady was next to him looking at the painting and then looked at him. She then looked at the painting again and back at him again. Desmond then says, " See that painting old lady... it's me.....yeah, it's a bit homoerotic, but it's me, and I love it."

 

"Color Blind"

COLOR BLIND

When I was living in Brooklyn I managed to find myself in a relationship with a Polish girl. I was living the life; a true Bohemian dude, struggling in New York, and dating a European girl who smoked and talked about how fat Americans are. But the glisten on that sexy pierogi soon faded away. The language chasm between us was too great. Yes, there are certain things as old as time that need no translation, but the nuances of what makes us human, and my ego, do! What I am trying to say is......she never laughed at my jokes. My vision of myself was shattered. I had spent so many years cultivating a personality and I found the one person I couldn't use it against.

It got bad, we were communicating in hand signals at one point, and it felt like I was in a Sci-Fi film where I had to keep the sexy alien alive until she divulges her secrets of the universe. When we'd eat, I'd always suggest some exotic cuisine, but she only liked one thing, " Bagel with ketchup and cream cheese please". Every night she ate that and every time she ate it, it was like the first time. Her eyes would light up like a kid on Christmas morning and she'd sit there just talking to it.

Despite the language barrier, she made an astute observation, "René, why no color in paintings?". She had penetrated to the very center of a fear I had long held. I explained that I am color blind and have always had a fear of using color because one time I asked a teacher, " How many of the greats do you think were color blind?", and he replied, "None, that is part of why they were great.". She stopped grinding on her bagel and looked up at me with that cold war scowl of hers and said, "No excuse." and went back to eating. This blew my mind - she was right. Who cares what is right in color, just paint what I see. From that point on I started using colors straight out of the tube and painted with a new found freedom that I had never had.

I re-discovered the beauty of pinks, purples, oranges, and blues. I would just interpret the color that I saw with the color that I was feeling, regardless if it was true or correct. This opened my palette and my mind to new options and opportunities and I am eternally thankful for that breakthrough. My polish friend didn't have many words, but she had the right ones at the right time, and right about now, I am kind of craving a bagel with cream cheese and ketchup.

"The Plight of a High School Art Teacher"

Prologue:

How does an artist fail at Art class? With style and grace, apparently. Some kids just learn differently and some teachers are just not equipped to handle the nuances of alternate learning. Others, like me, just like taking the piss out of teachers. Oppositional Defiance Order (O.D.D.) they call it, and I had a terminal case of it. I was so unmanageable as a kid that my mother almost used it as an excuse for birth control. "We didn't want another after you - there was a darkness in your eyes."

"The Plight of a High School Art Teacher"

In High School, I had a teacher drawn straight out of a comic book villain. Wait, let me start this tale a different way: there are many teachers out there who are killing themselves to do the best possible job teaching kids in subhuman circumstances. Then, there are those who are just phoning it in; complacent, compromised, and bitter. That was my teacher. She must have held the record for the longest scowl ever seen on anyone’s face. I’ve seen Chernobyl victims who had more cheer. Needless to say, she wasn’t warm, encouraging, or even an artist.

Fast forward to an entire year of back and forths between us, arguing over assignments, technique, and me shouting young punk phrases like, “ You can’t teach style you ol’ slag!!”. But the laughs and random penis drawings couldn’t last forever. Graduation was coming and it was time to get serious. My teacher eventually sat me down and said, “ You have one last chance to finish an assignment on time or I will fail you.” Watching that scowl twist into smile…..I knew she was serious. Despite my innate proclivities, these were the rules of the school, and I had to play the game. I worked like a beaver on coca leaves trying to finish that damn painting. I ended up completing it in the wee hours of the morning, That next day I was walking so tall and confident that I had done it, I had met the challenge and conquered. But amidst the patting myself on the back, I forgot a keep component to the assignment: it had to be turned in that morning and not during my class period!. I scrambled to turn it in and cleverly placed it amongst the other assignments hoping she wouldn’t notice. She did notice.

“Rene, I am sorry to inform you that your assignment is late and you will not pass art class.” I said, “NOOOOOOOOOOOOOOOOO!!I” in that Vader prequel kind of way. I was panicked. How can I fail art? What would I tell my mother? How dare they fail me and then let Pasquale (who obviously traced over a photograph of a bird for his final) pass the class. Oh, because he turns everything in on time…that’s right…conformity. I was depressed for a week, sadly kicking cans, long stares out windows, and filling the pain in my heart with burgers. My life was over.

A few days later my friend said, " Hey man, I love your Vietnamese woman hanging in the library". I said, “ Whaaaaaaaaa……come again now?” I ran to the library and there it was, with a ribbon on it saying, " Best in Show". That teacher, who had not accepted my assignment, still managed to enter it into a regional competition. I stood there looking at that best in show ribbon swelling with rage. The rage soon subsided, and a new emotion sank in - pure ecstasy. I had her. This was checkmate. With a smug smirk on my face and the filth of my teacher's unethical ways, I marched into that principal's office and demanded that I graduate. He agreed. As I walked past that teacher during graduation with my diploma in hand and the confidence of a Prom Queen, I felt a sense of empathy for her; and so I whispered to myself, " See ol' slag, I told you, you can't teach style."

 

"Art Imitates Lies"

When I was living in NY I worked with a beautiful Lebanese girl name Reewa who I would flirt with from time to time. Reewa was absolutely stunning in that old Hollywood glamor kind of way. She smelled good, spoke well, and dressed flawlessly. I, on the other hand, looked like a prepubescent bigfoot who had been raised to wear ill-fitting human clothes. Needless to say, she was out of my league. But one day, and to my surprise, the art gods finally smiled upon me. Reewa and got to talking and wanted to know more about my art. On top of that, she absolutely adored it! The conversation quickly took a serious turn when she uttered these unforgettable words, " I'd pose for you if you'd like". "What...the...fuhhhhhh.....?" I thought. I was not prepared for this. I needed to come up with a plan. "How did she want to pose? How should I pose her? Does she want to be nude? Of course she doesn't want to be nude!". After the adrenaline of a Titantic-esque "draw me like your french girls" moment faded, the real fear set in... I would actually have to stop being lazy and paint something.

Back then I was spending more time photoshopping myself on Oprah and Prince's body and sharing it with my friends. I was a real "N.Y. City artist", mostly talking about doing art but not actually getting on with it. The photo shoot came and went and we laughed and it felt fun and natural. I thought, " Maybe that was enough - she won't ask for an actual painting". Oh no, no, no, life isn't like that. She had told everyone we knew that she posed and now the whole building every day wanted to know when they were going to see the great portrait of Reewa, the most beautiful woman in all of Rockafeller Center! Each day that passed without them seeing it made me look creepier and creepier. "What is he really doing with those pictures?" is what their eyes said. Reewa was hopeful but I also saw a hint of sadness that I hadn't finished the painting. "Can't wait to see it?", she'd say with that gorgeous face.  

The pressure was too much, I had to throw something together quickly but felt too lazy to paint something. Photoshop! Yes, of course, I will trick her through the power of pixels and buy myself time, maybe even eternity. So I quickly overlaid the photo of her on top of an abstract painting background, at low resolution, and sent it to her via email. When I got into work the next day it was a total nightmare. She had shared it with everyone. She loved it and now wanted to buy it! Everyone was asking me to bring it in and she wanted to support me as an artist by paying me for it.

What did I get myself into? My web of lies was surrounding me - there was no god damn painting to give her! There was only one choice. I had to David Blaine this and stay up as long as it took to try and recreate a painting from a painting that doesn't even exist. Maybe it was the Mountain Dew or hope that this would somehow convince her to be with me, but I did it. I forged that damn painting in the fires of desperation. I brought it in that next Monday concerned that she would immediately see the difference. She didn't. She said, " Wow, it's even better than the picture you sent me! " She gave me the money and I thought to myself, "Good god, I'm Batman."

The image on the left is the photoshopped image. 

The image on the left is the photoshopped image.