Portrait Artist — Los Angeles

René Patrick
Martinez

Unconventional portraiture exploring the frailty of the body, the passage of time, and the stories flesh carries.

"You can't use a single instrument to play a symphony. I let the concept dictate the technique — and the medium."
— René Patrick Martinez
Major Series

Bodies of work, built over years.

Time & Flesh
Ongoing

Time & Flesh

A photographic exploration contrasting the frailty of the human body against man-made and natural structures that exist on their own timelines.

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Unraveling Mercedes
2019 — 2021

Unraveling Mercedes

Five oil paintings layered on top of one another, sliced, then peeled away — one life cycle revealed through the physical removal of time.

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Cades 2023
2023

Cades

A study in duality — portraits rendered in mirrored light and shadow, each subject split across two canvases and two temperaments.

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The Dissections — 2019–2021

Layered. Sliced. Peeled away.

Each panel below was painted on top of the last, then physically cut open — the way the years cut into us. Scroll, and watch them surface the way they were made: one layer at a time.

Dissection I
Dissection I
Dissection II
Dissection II
Dissection III
Dissection III
Dissection IV
Dissection IV
Dissection V
Dissection V

Oil on vinyl · 12" × 12" panels · Each layer painted, sliced, and peeled to reveal the one beneath.

Motion Portraits

Paintings that refuse to sit still.

Animated portrait works minted as 1/1 pieces — where brush, scan, and code share the same canvas.

Blind Queen
Blind Queen
Animated 1/1
The King
The King
Animated 1/1
Honey
Honey
Animated 1/1
1000 Cuts
1000 Cuts
Animated 1/1
Selected Works

From canvas, newsprint, and lens.

Portrait work
Wings
Arch
Dune Black
Ship
About
René Patrick Martinez

Born in Los Angeles in 1976 to a blue-collar Latino family, René forged his practice outside traditional academic pathways — letting life, travel, and self-taught wisdom shape the work instead.

His portraiture captures more than faces: the psychological and metaphysical narratives that run beneath them. The medium is never fixed — oil, newsprint, photography, motion — each chosen because the concept demanded it.

The work pushes against the boundaries of traditional art circles, built on a conviction that art should provoke thought in anyone who stands in front of it — regardless of their fluency in fine art.